Ten Done, Ten To Go

It’s time for another progress update. Just today, I’ve not actually done anything at all as far as writing goes, but other than that I’ve gotten quite a lot done over the last week.

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View from my new favourite writing haunt: Mr. Bradley’s Bar. It’s very often blissfully quiet at the times I’m able to visit.

I’m done with the third Scratch of the outline and I’ve started on the fourth, and I’m halfway done with with.

In this Scratch, what I’m doing is I’m going through all of the scenes for all of the stories, and I write a set of note about what’s happening in each scene. I also write down what is meant to be established in the scene and if something important is being reiterated that the reader already knows about.

So far, almost every scene establishes something new,  but it’s gotten more difficult to come up with things the further I’ve progressed. I like to think the things I establish in the scenes are important though, and I don’t just add things in for the sake of putting in new information.

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Same place, but a few hours later.

The thing that’s most commonly reiterated so far is that Alene is really attached to her suitcase. It may seem like a silly thing, but it’s important to her character and it’s important to the ending of the series.

Looking at the dates of the files I’m using for the notes, it’s been nine days since I started this phase. That’s a little over one story developed per day, which isn’t exactly swift, but it’s not horribly bad either. I’ve got a few things coming up over the next few days, but I think that with weekends and everything I’ll be able to keep that speed up – roughly, and I hope to be able to start working on the prose for the first story by the end of August.

Ten Done, Ten To Go

A Pretty Silly Name

Currently the series of stories that I’m working on go under the title Werewolves On A Train.

I don’t like that.

It feels silly. Silly and cheap. It also sounds way too close to Snakes On A Plane, which I haven’t even seen. It’s got the wrong ring to it, and I want to change it.

Coming up with a good name for a series is difficult. Actually, coming up with a new name for anything is difficult. I’ve had to do it twice already:

  • Toini was originally called Toivo, and then I learned that Toivo was a male name, and it didn’t feel right for a female character anymore.
  • The Anfylk race was originally called Hobbits, but I changed that once I learned that the word hobbit is trademarked.

Both times were difficult. Just accepting that I had to change the name was hard. Coming up with a new name too, and finally getting used to the new name. All tricky.

Chances are I’ll keep thinking of my current story as Werewolves On A Train, or WOAT, for a long time after I decide on a new name for it. I guess it’s just how the mind works. We get used to things and we don’t like them changing.

So what other ideas do I have?

  • Dreamchasers. This is good in that it’s descriptive. Roy is chasing his dream of being with Toini. Alene is chasing a dream, even though she’s not quite sure what it is. It’s good in that respect, but as a word it carries a lot of expectations that just aren’t met by the story. I probably won’t go with this.
  • The Old Dog’s Last Hunt. This is a much more fitting title than the above, but it feels long and unwieldy. Roy is the “old dog” and he’s chasing something. Once he catches it he hopes to settle down and take it easy. The issue, apart from being unwieldy is that “last hunt” carries a certain finality. When a hero goes on their last hunt it’s not because he’s decided to stop hunting and settle down – it’s because he dies.
  • Dog and Fish. This is the hip and mysterious title. “Dog” is a reference to Roy being a werewolf, and that should be pretty obvious. What’s less obvious is that “fish” is a reference to Alene. She’s also a shapeshifter, but changes into a rainbow coyote which is a doglike animal with fish scales. It’s a mysterious title for sure, but that may not necessarily be a good thing.
  • EDIT: Lost Dogs or Lost Dogs’ Journey. This came to mind today, and while I’m not completely sold on it yet, it feels like it will work. In my mind, the word dog has grown to become word people use for therianthropes (shapeshifters/werewolves) in the setting of the story. It’s also god symbolically as both Roy and Alene are a little bit lost in the world. I’m liking it.

Those are the ones I could remember at the time of writing. I know I’ve had more ideas, but they’re either too similar to the ones above, or bad enough that I forgot about them (that’s usually how I treat forgotten ideas).

A Pretty Silly Name

A New Space

I spend a lot of time in pubs and cafes writing, but sometimes I write at home. My ambition (one of them), is to try and spend a little bit more of my writing time at home. To that end, I finally got around to setting up a new writing spot.

Here’s how it used to look:

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Mixer, turntables, CDJs. Great fun to have and to play around with, but I haven’t actually used them for anything but collecting dust for several years.

And this is what it’s like now:

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A very visible reminder that I should be doing more writing.

I do need to get myself a proper chair or I’ll ruin my back and that’s not so cool. I like my back and I plan to keep using it for a while yet. For now though, this will do, and hopefully it’ll have the desired effect.

I just need to clean away all the junk that sat under the desk so I’ve got somewhere to stretch out my legs.

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The sun setting behind an empty whiskey bottle and a lego bulldozer.
A New Space

Men and women?

I’m musing on gender issues in my stories again. I’ve had some issues with “bad” stereotypes in previous stories and I’m pondering whether I’m about to stumble down that path again.

I want my female protagonist to be rich characters with depth and personality, and with the strength to carry their own stories forward, like people in the real world. That’s my goal, and it shouldn’t be so difficult now should it – at least it oughtn’t be, but who knows…

As a way to develop my characters a little bit I did a series of behind the scenes monologues with them (here). I pretend the characters are actor playing themselves and I have them hold a monologue about their role in the story. It was good fun.

I started with Roy, as he’s the first one to show up, then Alene, and Toini last. Roy’s male, Toini and Alene are female.

All three monologues loosely follow the same pattern. The character introduces themselves and then they describe their place in the story. What I found is that both Alene and Toini use Roy as a way of defining their place in the story.

I like to think there are good reasons for this. It fits with how the story is laid out and designed. It just feels a bit off – on principle. I want my female characters to be their own people, and they are, but even then I ended up having them describe their place in the story using the male character as their point of reference.

Am I overthinking it?

Yes. I’d say I am.

Both Toini and Alene are their own people and they carry their own stories. They’re more than backdrops for Roy’s story – a lot more in fact – and they know it. This whole rant is more a reflection on the topic as such. Am I letting my female heroes define themselves by the male hero?

I hope not. I don’t think I do.

I think there’s probably a line between where you describe your place in a story in relation to the other characters, and where a women describes her place in life in relation to a man. It’s a thin line, and I may be skirting close to it, but I think I’m still on the “right” side of it.

Feel free to correct me if I’m wrong, or bonk me onna heid for being overly concerned with something that’s not an issue. Either is fine, really.

Men and women?

Twenty done – sort of

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I finished the second scratch of the outline of Werewolves On A Train today. I still have a bit of work left before this phase of the outline is done, but it’s a milestone reached all the same.

I now know what will happen in each of the three acts of each of the twenty stories I’m planning to write.

Before I began this phase I had nineteen stories planned, and now I have twenty. One of the latter ones turned out to be a little bit too complex for my purpose. The whole idea of making this a series is to write a lot of short and simple stories in order to practice my storytelling. Each story is about one thing, but there was a story which turned out to make a lot more sense as being about two things, so I split it into two stories.

Overall, I feel good about being done with this part of the outline, but…

I have some doubts about the last two stories. They’re going to be quite difficult, and they’re going to be almost all talk and very little action. All the other stories have a certain amount of action to them. They’re fairly easy to understand. There’s a conflict of some kind and it needs to be resolved. The conflicts are simple, and they’re solved by actions.

Bad guys in the way? Beat the bad guys. Bad guys on your tail? Run away.


The last two stories are not like that. They’re where everything comes together and where everything that’s been left unresolved is finally being cleared up. It’s not much, but it’s all stuff that can’t be fixed by running away from someone or beating someone up.

Not that that’s all that’s happening in all the other stories, but for simplicity’s sake let’s say it is.

The last two stories are mostly about people talking. It’s unlikely to be interesting if you don’t know the backstory of the characters involved. So I need to make sure my readers know, and remember, the backstory. There are some facts about the characters that are important at the end that don’t really factor in all that much throughout the other stories.

I also want the stories to be such that you can pick them up and read them as standalone stories, without having to have read all of the previous ones. I think I’ll be able to make that work with the many of them, but not with all, and definitely not with the last two. It’s not a high priority goal, but it’s something I’ll try for at least.

Next Up?

The next thing I want to do is to write down a list of all the promises for all the stories. I only recently got my head around the concept of promise, which is basically the promise that the story makes to the reader about what the reader will experience if they keep reading.

I’ve written down the promises for all the stories as part of the outline, and now I want to put all the promises in a list. I’m thinking it’ll be interesting to get an overview of what kind of stories I’m writing.

I also need to finish up the trope lists for all of the stories. They turned out to be really helpful in how they summed up the stories as little building blocks to create the story with. I did it for the first seven or eight and then I stopped because finding all the tropes took a lot more time than writing the rest of the outline. I still want to do it though, but that’s for tomorrow.

Twenty done – sort of

Project Update: Werewolves On A Train

Yes, my new project is called Werewolves On A Train. Yes, I know it’s a silly name.

It was originally supposed to be a novel but after some deliberation it’s now a series of short stories. This is probably a good thing. The current plan has the series as consisting of nineteen parts, and I’m thinking it would have been a bit of a chore fitting all of that into a single novel.

Work on the project is progressing pretty well, and while it’s still early I’m feeling good about it. Good enough I decided to start sharing my project notes. The series’ outline is available as well as the outline for the first seven parts. I’ve also included the template I’m using for the shorts as well as some comments about the thoughts behind it.

It’s not super exciting, but it’s a good way for me to keep accountable. I’ll be updating the page as new content becomes available, and I may or may not post about it here too when I do.

The page itself can be found through the silly little site menu in the upper right. You can also just click here.

Project Update: Werewolves On A Train

Soundtrack for a Fading Champion

Whenever I start on a more serious story project I put together a playlist for the main character that reflects their personality and how I see them. Once I have a number of songs selected I pick out five signature songs and list them in a blog post along with how they relate to my character.

This time the character is Roy, a werewolf wrestling champion at the end of his career, and these are his signature songs. First is a short spotify playlist, and then there’s a youtube video of each song along with a few comments about how it fits the character.

1. Clawfinger – Bigges & The Best

Roy’s a world class wrestler and this is his theme song. He’s tough, merciless, and confident. He knows he’s the best. No matter what the critics and the press and the rising stars say, Roy know’s they can’t beat him. He’s just that good – just that tough.

2. The Phantom of the Opera

This is about the mask the phantom wears. It’s about what he hides from everyone else. There’s the obvious public face of Roy the wrestler – the persona represented by the previous song. But, there’s more than that to the mask. Roy also hides a dark secret that no one knows and that few have even seen hinted at. He hides it, and hides it well, for if people knew, they’d see him for more of a monster than just a werewolf.

3. VNV Nation – Beloved

This video is for the original version of the song, with a very sweet little animated video to go with it. However, I’d also recommend the orchestral version (Allegro Grazioso) which carries a lot more sadness in its sound, and as such is more fitting.

This song represents Roy’s love for Toini, his childhood friend who was killed in action so many years ago – and he still loves her just as much.

4. Depeche Mode – Wrong

Roy may be a world famous wrestler and multiple times world champion, but his life hasn’t been easy, and it’s not what he wanted. He’s made wrong decisions. He’s been in the wrong place at the wrong time, hung out with wrong people and said the wrong things.

Time and time again. Wrong.

Sure, he’s got fame and money, but he’s alone and disillusioned. Bitter. Cynic. A consequence of all that’s gone wrong and all he’s done wrong.

5. Empathy Test – Here is the Place

There’s also a charming live version of this song here. It’s well worth watching, but I’d recommend familiarizing yourself with the album version first.

Of the previous songs, three are of a failed and miserable past, and one is about a fake public persona. This is the song for the future Roy dreams of. It’s about going home to where he came from and to where he belongs. It’s about nostalgia and it’s about having somewhere you belong and where you’re safe.

Final Comments

There are plenty of songs that qualify, but didn’t make it. I could easily have picked five tracks by VNV Nation alone.

As a character, Roy is pretty sad. He’s had a tough journey, and he’s close to giving up, but he’s not a quitter. He’ll keep going. Stubbornly, stupidly, until there’s nowhere else to go and nothing left to do. He’ll deal with it when he gets there. That’s just the way he is.

Sort of, I think…

The story’s still being planned. The real writing has not yet begun.

Soundtrack for a Fading Champion