I’m musing on gender issues in my stories again. I’ve had some issues with “bad” stereotypes in previous stories and I’m pondering whether I’m about to stumble down that path again.
I want my female protagonist to be rich characters with depth and personality, and with the strength to carry their own stories forward, like people in the real world. That’s my goal, and it shouldn’t be so difficult now should it – at least it oughtn’t be, but who knows…
As a way to develop my characters a little bit I did a series of behind the scenes monologues with them (here). I pretend the characters are actor playing themselves and I have them hold a monologue about their role in the story. It was good fun.
I started with Roy, as he’s the first one to show up, then Alene, and Toini last. Roy’s male, Toini and Alene are female.
All three monologues loosely follow the same pattern. The character introduces themselves and then they describe their place in the story. What I found is that both Alene and Toini use Roy as a way of defining their place in the story.
I like to think there are good reasons for this. It fits with how the story is laid out and designed. It just feels a bit off – on principle. I want my female characters to be their own people, and they are, but even then I ended up having them describe their place in the story using the male character as their point of reference.
Am I overthinking it?
Yes. I’d say I am.
Both Toini and Alene are their own people and they carry their own stories. They’re more than backdrops for Roy’s story – a lot more in fact – and they know it. This whole rant is more a reflection on the topic as such. Am I letting my female heroes define themselves by the male hero?
I hope not. I don’t think I do.
I think there’s probably a line between where you describe your place in a story in relation to the other characters, and where a women describes her place in life in relation to a man. It’s a thin line, and I may be skirting close to it, but I think I’m still on the “right” side of it.
Feel free to correct me if I’m wrong, or bonk me onna heid for being overly concerned with something that’s not an issue. Either is fine, really.